Sandra Marante* is thrilled to be working in Ivoryton on this fantastically fun show! She was last seen at Broadway at Music Circus in Sacramento as Daniela from In the Heights. Recent Credits: Stonewall (New York City Opera at Lincoln Center), Disney’s Beauty and the Beast (Dicapo Theatre), In the Heights,(Westport Country Playhouse, Playhouse on Park), Hatuey (American premiere, Peak Performances), Man of La Mancha (Princeton Festival), Madama Butterfly, and My Fair Lady (Charlottesville Opera). Sandra filmed her first costar TV role on Bull (CBS). Other TV: Quiero Ser Estrella (Univision). Graduate of New World School of the Arts (B.M.), Roosevelt University (MM) and UCONN (P.C.). All my love to Kam and Mom!!
Katheryne “Penny” Penny* joined the Forbidden Broadway family in September 2019 and is so excited to continue the journey in beautiful Connecticut! Off Broadway: Forbidden Broadway: The Next Generation. Regional: Diana (La Jolla Playhouse); Spamalot (Hollywood Bowl); Frozen (Disney’s Hyperion Theater); How The Grinch Stole Christmas (The Old Globe). Penny guest starred as “Ahoop” along side Josh Groban on IFC’s Comedy Bang Bang. UCLA ‘15 @kpennylane
Josh Powell* is thrilled to return to Ivoryton having been seen previously in A Christmas Carol, My Way, Love Quest, and Burt & Me. He’s also performed at Goodspeed, Merry-Go-Round, The York, and Cherry Lane theaters as well as numerous opera companies including Utah Festival Opera, El Paso Opera, and Light Opera Oklahoma. Last season, Josh appeared at Penguin Rep (Art), Mabou Mines (Beulah Land), and Seven Angels Theatre (George and Gracie). Prior to that, he starred as El Gallo in Pittsburgh Public’s The Fantasticks and in Penguin Rep’s Syncopation. Love and thanks to the whole Playhouse family! www.Josh-Powell.com
Director: Gerard Alessandrini
Choreographer: Gerry MacIntyre
Musical Director: Josh Walker
Stage Manager: James Joseph Clark*
Scenic Designer: Glenn Bassett
Lighting Designer: Tate R. Burmeister
Sound Designer: Tate R. Burmeister
Costume Designer: Liz Saylor
* member of Actors Equity
‘Forbidden Broadway’ creator Gerard Alessandrini on his musical spoofs, including ‘Spamilton’
(Michael McAndrews/Hartford Magazine)
“How about some ‘Maggie Flynn’?” Gerard Alessandrini asks as he hands me the pristine album cover of the long-forgotten, ill-fated 1968 musical starring Shirley Jones and Jack Cassidy.
We are in the album room of the split-level, mid-century home he shares with his husband, Glenn Bassett, overlooking Mill Pond in Essex. The extra room for his collection of thousands of original cast albums was a major selling point and contains every musical you’ve ever — and never — heard of.
It’s an unexpectedly bucolic and serene place for a man whose life has been devoted to celebrating — and satirizing — the razzle-dazzle of Broadway. For more than 30 years, Alessandrini has created more than a dozen Manhattan revues that have run under the banner “Forbidden Broadway.” In 2006 he even received a special Tony Award for his parodies of Broadway’s best — and sometimes worst — efforts.
But of all the shows, nothing has struck such a chord as “Spamilton!” — his musical spoof of how Lin-Manual Miranda has revolutionized Broadway with his mega-hit “Hamilton.” As soon as “Spamilton” opened in 2016 it, too, became a must-see show, attracting crowds that included longtime “Forbidden Broadway” fan Stephen Sondheim and even “Hamilton” creator Lin-Manuel Miranda and the show’s creative team.
Alessandrini, 65, has always been a musical fan at heart, growing up in Needham, Mass., just outside Boston during the waning days of the out-of-town, pre-Broadway tryout circuit.
After graduating from the Boston Conservatory of Music in the late ‘70s, Alessandrini headed to New York to make his mark as an actor-singer but, like many, he turned to temp jobs to survive. One in 1981 was at the front desk of a cafe at Lincoln Center, where he would write parodies of show tunes on the back of paper placemats.
“One of the first lyrics I wrote was, ‘I wonder what the king is drinking tonight,’ because from across the plaza Richard Burton was starring in a ‘Camelot’ revival, and we were working the night they had to bring down the curtain down on him because he couldn’t go on with the show.”
But the beginnings of “Forbidden Broadway” were almost swept away by a wayward wind.
“One night, I was seating somebody inside and a wind came and blew away the 20 pages of lyric sheets I had at my outdoor station. The next day my manager came to me and said, ‘Gerard, they found these papers floating in the Lincoln Center fountain last night and we thought they’ve got to be yours.’ I said, ‘Thanks, Bob. That’s my show.’ ”
His first “Forbidden Broadway” show opened in 1982, and it received a big boost when Rex Reed raved abut the show in his newspaper column.
“We would come to do the show and there would be 10 limos parked in front of the Triad Theatre,” Alessandrini recalls. Ethel Merman, Mary Martin, Prince Rainier, Paul Simon, Christopher Reeve, Carol Channing and George Burns were early fans of the show, often laughing at parodies of themselves.
And his reaction to having his idols’ applause?
“We were young, and you don’t know how really wonderful that it is as it’s happening. You think that’s just what happens in your life.”
He says when the creators of the shows turned out — such as John Kander and Fred Ebb (“Cabaret,” “Chicago”) and Jerry Bock and Sheldon Harnick (“Fiddler on the Roof”) — he worried that they might sue. “But we ended up getting a lot of the music rights because Sondheim said it was OK. He understood that parody was healthy.”
In the revues, “Grand Hotel” became “Grim Hotel.” Ann Miller singing “I‘m Still Here” from “Follies” became “I’m Still Weird.” Bernadette Peters’ vocal challenges in a show became her spoofing counterpart singing “See Me on a Monday.” “Company”’s “Being Alive” became “Being LuPone” when that diva starred in the revival. Mandy Patinkin became a regular target. One had him singing to the “Mary Poppins” tune, “Super-Frantic-Hyper-Active-Self-Indulgent-Mandy.”
“But some years — mostly in the ‘80s — were hard when Broadway wasn’t doing so well and there wasn’t much to parody,” he says. For one show, the revue’s announcer said: “‘Forbidden Broadway’ salutes the hits of the season,’ and the lights would come up and there would be nothing on stage — and then the lights would be lowered.”
The British Invasion of mega-hits offered a new wave of satirical opportunities, and with the arrival of Disney 20 years ago and a booming Broadway that followed, there has been a wealth of material to keep each new edition of the shows fresh. After the last “Forbidden Broadway” revue in 2014, Alessandrini took a break but the arrival of “Hamilton” the following year drew him back.
“This was the biggest hit show that’s come to Broadway since I’ve been in New York, and I would feel unfulfilled if I didn’t finish the job.”
But “Hamilton” required more work than he’s ever put in a parody. “To turn a song inside out I have to practically memorize it and know exactly what the author was doing and where they were coming from. For ‘Hamilton’ there was a lot of material and a lot of research I had to do on Hamilton and the rap artists Miranda was referencing. It’s hard work but it’s fun hard work — but it’s hard work.”
Alessandrini often turns a show’s point of view upside down but in “Hamilton”’s case Miranda had already done that by making Aaron Burr such a prominent character. So he decided to make it all about Miranda and the phenomenon of the show itself. One of the musical’s most famous song was transformed into “(I Wanna Be in) The Film When It Happens.”
Alessandrini also managed to slip in bits from his go-to tropes, including “Gypsy,” “Chicago” and ‘Sweeney Todd,” and personalities, like Audra McDonald, Barbra Streisand and Liza Minnelli. Even Sondheim makes an appearance as a kind of Broadway Yoda.
“When Miranda came to see the show I was a little nervous,” says Alessandrini, “because I don’t know him that well, just as an acquaintance, so I wasn’t sure how he would take it about being the subject of the show.”
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The answer: He loved it, spent time with the cast after the show and gave him and the cast tickets to see “Hamilton.”
From his Essex home where his Manhattan pals often escape — and take advantage of the piano in the living room that he doesn’t play — Alessandrini is now planning a new edition of “Forbidden Broadway” in the fall — but he hasn’t started writing it yet. “For these things, it’s like painting a fresco. You have to paint really fast before the plaster dries.”
Gerard Alessandrini is the creator, writer and director of the “Hamilton” parody “Spamilton,” a huge hit that is coming to Playhouse on Park. Alessandrini and his husband, Glenn Bassett, an actor and theater production manager, live in Essex.
Gerard Alessandrini is the creator, writer and director of the “Hamilton” parody “Spamilton,” a huge hit that is coming to Playhouse on Park. Alessandrini and his husband, Glenn Bassett, an actor and theater production manager, live in Essex. (Michael McAndrews/Hartford Magazine)
But he’s excited about the new wave of shows: the dark “Oklahoma!” The journey to hell in “Hadestown.” And the self-aware, self-referential “Beetlejuice.” “That show is very meta-musical, very ‘Forbidden Broadway.’ Sondheim and I were once talking about some musical and he said, ’It’s a very ‘meta-musical.’ I said, ‘What’s that?’ And he said, ‘Gerard, don’t you know? You invented it.’”
Click through to this link to see the original article and more photos of Allessandrini’s beautiful Ivoryton home as published in courant.com.
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The Fall Down Funny Roast Of Broadway! Forbidden Broadway Comes to Ivoryton
by Gerard Alessandrini
at the Ivoryton Playhouse
March 18th – April 5th , 2020
Ivoryton – Ivoryton opens the 2020 season with a brand new version of one of off-Broadways most popular shows – FORBIDDEN BROADWAY COMES TO IVORYTON. In this long-running Off-Broadway hit musical revue, Broadway’s greatest musical legends meet Broadway’s greatest satirist in this hilarious, loving, and endlessly entertaining tribute to some of the theatre’s greatest stars and songwriters. The fall-down funny musical roast of Broadway that has picked up 9 Drama Desk Awards, a Special Tony®, an Obie, a Lucille Lortel and Drama League Award features outrageous costumes, hilarious rewrites of the songs you know, and dead-on impressions by a stellar cast!
Conceived, written and directed by Gerard Alessandrini, the original version of the revue opened on January 15, 1982, at Palsson’s Supper Club in New York City and ran for 2,332 performances. Alessandrini has rewritten the show more than a dozen times over the years to include parodies of newer shows. The show, in its various editions, has been seen in more than 200 U.S. cities as well as playing in London, Tokyo, Singapore and Sydney.
Forbidden Broadway “STICKS IT TO THE GREAT WOKE WAY!” raves the New York Times.
This fast and furious musical comedy, lovingly recreated for the Ivoryton Playhouse by writer and creator, Gerard Alessandrini, eviscerates the oldies but goodies – Annie, Oklahoma, Fiddler and many more – and then skewers some of Broadway’s newest arrivals – Tootsie, Oklahoma!, and Frozen, as well as Tony®-winning favorites Bernadette Peters, Hugh Jackman, Liza Minelli, and Lin Manuel, plus showbiz seen onscreen — “Fosse/Verdon” and Renée Zellweger as Judy Garland!
Whether you’re a seasoned theatre-goer or new to Broadway, FORBIDDEN BROADWAY COMES TO IVORYTON is your one-stop ticket to non-stop laughs!
The cast includes Playhouse alum Josh Powell* (MY WAY: THE FRANK SINATRA STORY and LOVE QUEST). Making their Playhouse debuts are Sandra Marante* Christopher Behmke* and Katheryne Penny. The show is directed by Gerard Alessandrini and choreographed by Gerry MacIntyre; musical directed by Josh Walker; set design by Glenn Bassett, lighting and sound design by Tate Burmeister and costumes by Elizabeth Saylor.
FORBIDDEN BROADWAY COMES TO IVORYTON opens at the Ivoryton Playhouse on March 18th and runs through April 5th, 2020. Performance times are Wednesday and Sunday matinees at 2pm. Evening performances are Wednesday and Thursday at 7:30pm, Friday and Saturday at 8pm. There will be one Thursday matinee on March 19th.
Tickets are $55 adult / $50 senior / $25 student / $20 children 12 and are available by calling the Playhouse box office at 860.767.7318 or by visiting our website at www.ivorytonplayhouse.org (Group rates and subscriptions are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.
*denotes member of Actors Equity
Members of the press are welcome at any performance after March 19th. Please call ahead for tickets.
Looking for something to do? Ivoryton Playhouse has been voted best place to see live theatre by readers of The Shoreline Times for three years in a row. Come to Essex and visit our historic, professional theatre – a Connecticut treasure!