The Rock and Roll Hall of Fame calls Woody Guthrie “the original folk hero; a man who, in the Thirties and Forties, transformed the folk ballad into a vehicle for social protest and observation and in so doing, paved the way for Bob Dylan, Bruce Springsteen and a host of other folk and rock songwriters who have been moved by conscience to share experiences and voice opinions in a forthright manner. Fueled by a boundless curiosity about the world, the colorful life he led became as legendary as the songs he wrote.”
WOODY SEZ is a joyous, toe-tapping, and moving theatrical concert event that uses Woody’s words, and over twenty-five of Woody’s songs to transport the audience through the fascinating, beautiful, and sometimes tragic life of Woody Guthrie. Performed by a talented group of four versatile actor/musicians who not only play 15 instruments ranging from guitar and fiddle to jaw harp and dulcimer, but they also bring to life the many people who are the fabric of Woody Guthrie’s amazing story. The combination of the cast’s infectious enjoyment, Woody’s incredible journey, and a stirring mix of moving ballads and energetic foot-stompers make this a must see. Woody Guthrie gave voice to the beauty and struggles of the common man and WOODY SEZ gives the same to the spirit of the man himself.
The following excerpt of biographical material was borrowed from
and can be found in its entirity at www.woodyguthrie.org.
Photograph by Robin Carson
WOODY GUTHRIE was born on July 14, 1912, in Okemah, Oklahoma. He was the second-born son of Charles and Nora Belle Guthrie. His father – a cowboy, land speculator, and local politician – taught Woody Western songs, Indian songs, and Scottish folk tunes. His Kansas-born mother, also musically inclined, had an equally profound effect on Woody.
Slightly built, with an extremely full and curly head of hair, Woody was a precocious and unconventional boy from the start. Always a keen observer of the world around him, the people, music and landscape he was exposed to made lasting impressions on him.
During his early years in Oklahoma, Woody experienced the first of a series of immensely tragic personal losses. With the accidental death of his older sister Clara, the family’s financial ruin, and the institutionalization and eventual loss of his mother, Woody’s family and home life was forever devastated.
In 1920, oil was discovered nearby and overnight Okemah was transformed into an “oil boom” town, bringing thousands of workers, gamblers and hustlers to the once sleepy farm town. Within a few years, the oil flow suddenly stopped and Okemah suffered a severe economic turnaround, leaving the town and its inhabitants “busted, disgusted, and not to be trusted.”
From his experiences in Okemah, Woody’s uniquely wry outlook on life, as well as his abiding interest in rambling around the country, was formed. And so, he took to the open road.
In 1931, when Okemah’s boomtown period went bust, Woody left for Texas. In the panhandle town of Pampa, he fell in love with Mary Jennings, the younger sister of a friend and musician named Matt Jennings. Woody and Mary were married in 1933, and together had three children, Gwen, Sue and Bill.
It was with Matt Jennings and Cluster Baker that Woody made his first attempt at a musical career, forming The Corn Cob Trio and later the Pampa Junior Chamber of Commerce Band. It was also in Pampa that Woody first discovered a love and talent for drawing and painting, an interest he would pursue throughout his life.
If the Great Depression made it hard for Woody to support his family, the onslaught of the Great Dust Storm period, which hit the Great Plains in 1935, made it impossible. Drought and dust forced thousands of desperate farmers and unemployed workers from Oklahoma, Kansas, Tennessee, and Georgia to head west in search of work. Woody, like hundreds of “dustbowl refugees,” hit Route 66, also looking for a way to support his family, who remained back in Pampa.
Moneyless and hungry, Woody hitchhiked, rode freight trains, and even walked his way to California, taking whatever small jobs he could. In exchange for bed and board, Woody painted signs and played guitar and sang in saloons along the way, developing a love for traveling the open road—a lifelong habit he would often repeat. . . . . click here to go to Woody Guthrie Publications and continue the story.