IVORYTON PLAYHOUSE PRESENTS A NEW CABARET SERIES AT WATER’S EDGE RESORT: PLAYHOUSE ON THE SHORE

Ivoryton Playhouse will present a series of eight cabaret-style dinner theatre performances beginning Sunday, June 11th, written for and performed exclusively at Water’s Edge.  This original series will showcase the professional talent of Ivoryton Playhouse performers and musicians in four unique events.

Ivoryton Playhouse, in a new partnership with Water’s Edge Resort, will be presenting a series of cabaret style dinner-theatre performances at Water’s Edge Resort.

This original series of four uniquely themed productions celebrate a broad array of musical styles and genres:

GREAT BALLS OF FIRE: Sunday, June 11th and Sunday, June 18th
‘50s Rock N’ Roll and so much more.

A NIGHT ON THE TOWN: Sunday, June 25th and Sunday, July 9th
Featuring the musical inspiration of New York City.

THAT’S AMORE: Sunday, July 16th and Sunday, July 23rd
Favorites from opera and musical theatre celebrating all things Italian.

SOUNDS OF THE ‘70s: Sunday, July 30th and Sunday, August 13th
Hits from the disco era.

Each evening will feature a professional cast of performers, in addition to a trio led by Music Director, Eric Trudel.  Cast members include Marsha Ackerman, Schuyler Beeman, Carly Callahan, Billy DiCrosta, Amy Maude Helfer, Kate Hubbard, Emily Johnson, Mia Pinero, Jorge Prego, Michael Scarcelle and Charlie Widmer.

“We have put together some great talent for these evenings, including cast members from our season, to bring the Water’s Edge audience a night of entertainment that they won’t forget,” said Jacqui Hubbard, Artistic Director of Ivoryton Playhouse.

Water’s Edge, previously known as Bill Hahn’s Hotel, was an entertainment destination in the 1940s and 50s and featured both up-and-coming singers and stars such as Henry Youngman, Art Carney and Barbra Streisand.  “We’re thrilled to revive the wonderful provenance of this resort, and look forward to entertaining a new audience inspired by Bill Hahn’s delightful evenings here decades ago”, said Hubbard.

Tickets are $88.00 per person, including dinner and the show (also includes tax and gratuity), and can be purchased by calling Water’s Edge Resort at 860-399-5901.  Tickets are not available through the Ivoryton Playhouse website or theatre box office. 

For more information, visit watersedgeresortandspa.com.

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CONNECTICUT ARTS CONNECTION — An award-winning site for news and reviews of Connecticut’s professional theater and arts.
By Lauren Yarger

http://ctarts.blogspot.com/2017/05/ct-theater-review-biloxi-blues-ivoryton.html

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Biloxi Blues
Ivoryton Playhouse
Review by Zander Opper
Talkin’ Broadway Regional Reviews: Connecticut & The Berkshires

Biloxi Blues, Neil Simon’s Tony Award winning play, is receiving a very funny and enjoyable production at Ivoryton Playhouse.

Biloxi Blues is set in 1943 and is at least partly autobiographic of Neil Simon’s own experiences in World War II. There is much humor in this play, as well as elements of a more series nature, and the Ivoryton Playhouse production manages to embrace both the comedy and the drama superbly. Chief among the assets of this Biloxi Blues is the perfect casting of Zal Owen as Eugene Jerome, the playwright’s alter-ego in the show. Director Sasha Bratt has also guided fine performances from the rest of his cast and the show feels very authentic. On Glenn David Bassett’s expansive set, this show truly takes one into the world of the military, with lots of laughs, as well as more sobering moments.

In Biloxi Blues, it is stated early on that Eugene Jerome (who serves as the show’s narrator, as well as being part of the play) has three goals to accomplish in his training in Biloxi, Mississippi: he wants to become a playwright, stay alive, and lose his virginity. Watching how this character goes about fulfilling these goals proves to be a delight. Zal Owen is just about ideal as Eugene, who keeps a journal of his military experiences and his impressions of the other soldiers who are training with him. Owen brings a nice sense of humor to the role as the audience watches the action of the play through his eyes.

Happily, Zal Owen is surrounded by other performers who also bring fresh life to their characters. As the misfit and rebel in the group, Arnold Epstein, Alec Silberblatt is excellent, as Arnold battles the hard-driving Sgt. Toomey, played with almost frightening conviction by Mike Mihm, at every step of the play. In a way, the character of Arnold Epstein almost becomes central to the show and Neil Simon does a great job of establishing an arc in the relationship between Arnold and Sgt. Toomey, with ultimately gratifying results.

There is also the tough, sex-crazed Wykowski, played wonderfully by Conor M. Hamill. I saw this actor do fine work in the play, Third, last season and he is just as good here. In addition to Wykowski, there are also the soldiers Selridge (the enormously amusing Chandler Smith) and Carney (skillfully played by Ethan Kirschbaum), the latter being notable for singing songs in his sleep. There is also Hennessy, who harbors a secret not to be revealed here. George Mayer portrays Hennessy extremely well and it is worth noting that Mayer is making his professional debut in this play.

Not to be forgotten, there are two women who figure into the plot. Moira O’Sullivan is both tough and funny as the prostitute Rowena, whom the soldiers visit, and she brings a certain slyness to the part, as well. As the endearing Daisy, whom Eugene Jerome ultimately falls for, Andee Buccheri is all sweetness and charm. Daisy proves to be the perfect match for Eugene in a scene at a dance toward the end of the play. In addition to be being the audience’s guide, Owen manages to get all the laughs in the script, as well as offering a glimpse of the writer Neil Simon eventually would become.

Director Sasha Bratt keeps the show moving briskly; this is one production that seems to get better as it goes along. Bratt works very well with his designers, including Lisa Bebey, who provides the period-perfect costumes, and Tate R. Burmeister, who designed both lighting and sound, contributing heavily to the success of the show. Ivoryton Playhouse provides the ideal showcase for Neil Simon’s seriocomic Biloxi Blues, and don’t be surprised if you leave this show with a big smile on your face.

Biloxi Blues continues performances at Ivoryton Playhouse in Ivoryton, CT through May 14, 2017. For tickets, please visit www.ivorytonplayhouse.org or call the box office at 860-767-7318.

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YOU’RE IN THE ARMY NOW WITH “BILOXI BLUES”
BONNIE GOLDBERG

Eugene Morris Jerome is now a man.  You might remember him as  a precocious teenager dealing with growing up in Brooklyn in Neil Simon’s “Brighton Beach Memoirs.”  Eugene is the central character created by Simon, semi-autobigraphically, in a trilogy.  Now is the time for a second installment and, thanks to the Ivoryton Playhouse, you can come meet Eugene from now until Sunday, May 14 as “Biloxi Blues” salutes soldiers.

It’s World War Ii and our Brooklyn boy is now twenty years old and is leaving home and heading to Biloxi, Mississippi to join the United States Army.  Private first class Jerome is now an active observer, an eager participant in boot camp and a narrator writing about the trials and triumphs of serving patriotically for his country.

Come meet Zal Owen as the lovable Eugene and his best new pals Alec Silberblatt as Arnold, Conor M. Hamill as Wykowski, Ethan Kirschbaum as Carney, George Mayer as Hennesey and Chandler Smith as Selridge. Overseeing their every move and moment is the  hard boiled Mike Mihm as their commander, the dictator Sergeant Toomey. As young recruits, they exhibit all the ABCs, anxiety, bravado and courage that you would expect to witness.  They tease, swear and act tough as they prepare for their new assignment:  going to war. With sly wit and a deep sense of humanity, Simon inducts his soldiers with all the brashness of heading off into the unknown and the fears that entails.

These men, thrown together as they are, have to grow up quickly.  It’s Sergeant Toomey’s job and obligation to toughen them up and supply all the discipline and obedience they will need to endure combat.  Mike Mihm as Toomey is up for the challenge.  Push-ups by the hundreds and long enforced marches through the swamps, peeling potatoes and scrubbing latrines are all part of the patriotic package they must face.  Readiness for battle is a prerogative and instant responsibility is essential.

As the recruits tease, ridicule and support each other, Eugene records his memoirs for posterity, with pithy comments on the goings on and day-to-day challenges.  A 48 hour pass allows Eugene to explore two of his list of goals, to lose his virginity and to fall in love, both with the help of Moira O’Sullivan and Andee Buccheri.  He also plans to become a writer and not to die in the war. Sasha Bratt as director puts these men through their paces in a heartwarming and poignant way.

For tickets ($50, seniors $45, students $22, children $17), call the Ivoryton Playhouse, 103 Main Street, Ivoryton  at 860-767-7318 or online at www.ivorytonplayhouse.org. Performances are Wednesday and Sunday at 2 p.m., Wednesday and Thursday at 7:30 p.m. and Friday and Saturday at 8 p.m.

Pack your duffel bag and get ready to do some push-ups as a maniacal drill instructor puts you through your paces  or will die trying.

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Seriously Funny: “Biloxi Blues” at Ivoryton Playhouse
By Brooks Appelbaum, Special to the Shoreline Times

The Ivoryton Playhouse production of Neil Simon’s “Biloxi Blues,” directed with a sure hand by Sasha Brätt and playing through May 14, is not to be missed. If you have never seen this second installment of Simon’s semi-autobiographical Eugene trilogy (“Biloxi Blues” comes between “Brighton Beach Memoirs” and “Broadway Bound”), this version is a perfect introduction. And even if you’ve seen the show many times, come to this production for a fresh, intelligent, moving night at the theater. Oh, and you’ll find yourself smiling and laughing, too.

“Biloxi Blues” begins in 1943, with Eugene and five other young men on a train heading for basic training in Biloxi, MS before they ship out as soldiers in WWII. Upon arrival, they will all learn that basic training is anything but basic under the eccentric and seemingly heartless lash of Sgt. Toomey (a terrifically charismatic Mike Mihm). Unlike the other two plays in the trilogy, Eugene (the pitch-perfect and touching Zal Owen), rather than driving the plot serves as the observer (he records everything he sees and thinks in his “memoirs”) and the interpreter for the audience. Though each soldier-in-the-making has his own story, the play’s main dramatic tension builds between Sgt. Toomey and a recalcitrant, brilliant, misplaced young man named Arnold Epstein (Alec Silberblatt) until, by the climactic scene, we understand that “Biloxi Blues” has more layers than we might have guessed.

The cast, under Brätt’s fine direction, sets this production apart and above. Each actor nails the type that the script requires and brings to his role originality and commitment. As Epstein, Silberblatt plays every moment with complete conviction so that his comic turns, though broad, never lose their realism: time after time, one wants to snatch him away from his own seemingly hopeless determination to win against Toomey. And Owen conveys Eugene’s combination of naïveté and wisdom with his huge brown eyes, his confiding voice, his string bean of a body, and his instant connection with us. His memoirs may be top secret where the other men are concerned, but endearingly, he is an open book to us.

Ethan Kirschbaum, as Carney, beautifully portrays a young man with big dreams of musical fame and an open, tender heart. Chandler Smith, as the blow-hard spark plug Selridge, brings energy and a sharp sense of timing to the stage, and he captures the fear below Selridge’s tough-guy surface. As Hennesey, a gentle giant who is kind and empathic, George Mayer gives a superb performance, all the more commendable since this is his acting debut. One would never guess that Mayer isn’t a seasoned performer, and his big scene is an emotional stunner. Conor M. Hamill, as the bullying, racist Wykowski, would walk away with the show if the other actors were not so strong: he has energy to burn, and his every move and word is frighteningly arrogant and cocky. When he surprises us, we never see it coming.

One of the most challenging roles here is that of Sgt. Toomey, and Mike Mihm couldn’t be better. Beginning with a mercilessly loud delivery and almost convincing us that Toomey is a caricature of a tough military man, Mihm’s Toomey becomes more and more complex as the play goes on: Mihm gives him a twisted humor and the hint of an unbalanced mind that perfectly set up his final scene.

Moira O’Sullivan plays a sweetheart of a hooker; her scenes stay this side of clichéd and are unexpectedly tender. The one mis-cast and mis-directed role is that of Daisy, Eugene’s first love. Andee Buccheri plays one note throughout, and where we need to see a shyness and delicacy to match Eugene’s, we instead see a perky young woman who is a bit too sure of herself.

The set is ingenious, thanks to designer Glenn David Bassett; and Tate Burmeister’s sound and lighting give the production a nice texture. The costumes, too, by Lisa Bebey, are just right.

Don’t miss this marvelous production of a deserved classic. Brätt’s directing and his cast make Simon’s script shine with special light, and that is high praise indeed.

By Brooks Appelbaum, Special to the Shoreline Times

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“BILOXI BLUES”
Reviewed by Tony Annicone
Tony’s Corner

The current show at Ivoryton Playhouse is “Biloxi Blues” by Neil Simon. This show is the second play in the three play cycle of the Eugene Morris Jerome plays. The Broadway show opened on March 28, 1985, closed on June 28, 1986, ran for 524 performances and won the Tony Award for Best Play. Here, Eugene is a young army recruit during the Second World War going through basic training. The story takes place at Army boot camp in Biloxi, Mississippi in 1943. Eugene and his fellow recruits suffer under the hard nosed Sergeant Toomey, partake the daily “mess” served up for meals, and join together to visit a local whorehouse and officially become “adults.” Eugene also confronts the ugly specter of anti-Semitism and for the first time, falls in love. The community values and prejudices from the recruits idiosyncratic home lives that they bring to the barracks, is authentic in this show. The play is about how vulnerable twenty year olds contend with these different values and how they survive and achieve their personal rites of passage. Director Sasha Bratt casts these nine roles very well and gives each of the performers their moment to shine in this funny and thought provoking play.

Sasha’s insightful direction brings out the comic and poignant moments splendidly. He makes each character unique so the audience is able to distinguish one from the other. The unit set design is by Glenn Bassett. In the first railway scene the men are nervous at their arrival at the base and in the last they are nervous as they head off for war. The army costumes are by Lisa Bibey.

Leading this cast is Zal Owen as Eugene. He not only plays this role but narrates the show as well. Zal gives the role the dimension it needs and interacts marvelously with his fellow cast mates. Some of his funniest moments come when he visits a prostitute, fights with the others when they look at his memoirs and tries to hide the SOS they are forced to eat. A poignant moment occurs with Daisy in the last scene. He also describes what happens to everyone in the final scene.

The brow beating drill sergeant is excellently played by Mike Mihm. He runs roughshod over these men, barking orders, demanding push-ups and forcing them to eat inedible food as well as doing forced marches through the marshland. His show stopping scene happens in the second act with a powerful revelation scene with Epstein.

The rest of the cast do splendid work in their roles and are perfectly cast in their roles. The pivotal role of the nerd Arnold Epstein is played by Alex Silberblatt. Arnold claims to have medical problems, brings a note from his doctor that Toomey tears up but in his own way eventually stands up to him thereby winning the day. Alex’s poignant moment occurs when he describes being handcuffed, his head put into a latrine filled with urine by two bullies.

Conor M. Hamill returns in triumph for his third time at Ivoryton Playhouse as the gung ho recruit, Joseph Wykowski who constantly has a hard on. He gives this character the high intensity it needs. Wykowski calls the other recruits derogatory names, reads Eugene’s memoirs out loud to the others and makes love to the hooker for 34 minutes. In the what would you do if you only had a week left to live which is initiated by Eugene, he says he wants to make love to the Queen of England because the King only makes love to her once a year to have a prince. I last reviewed Conor as Francis, the beat up stage manager in “La Cage Aux Folles” here back in 2014.

Chandler Smith is a hoot as Roy Seldridge. His one liners are comical and his last wish in the game is that he wants to make love to the seven richest women in the world and have them pay him a million dollars each. Chandler also grapples with Eugene while Joe reads his memoirs, says he’s past his peak with the hooker while going in her room and out in a very short amount of time.

Ethan Kirschbaum plays Don Carney excellently. He is constantly singing in the show. His funniest line is SOS is the first food I’m afraid of. For his last seven days he wants to sing at Radio City Music Hall for 4000 women and a Decca Record producer. Don sings “Embraceable You” to close Act 1. Ethan also has a marvelous scene with Eugene when he reveals that he really can’t make up his mind about things.

George Mayer makes a marvelous theatre debut as Hennessy. He is first seen as a private who is constantly on KP duty. Later on in the show, he has a secret revealed in an astounding manner. George’s interactions with the other cast members are right on the money and this should be the first of many shows in his theatrical career.

Rounding out the cast are Moira O’ Sullivan as the prostitute, Rowena with whom Eugene makes love for the first time and Andee Buccheri as Daisy with whom he falls in love for the first time.

So for a fantastic look at seldom done Neil Simon show, be sure to catch “Biloxi Blues” at Ivoryton Playhouse. Tell them Tony sent you.

BILOXI BLUES (26 April to 14 May)
Ivoryton Playhouse, 103 Main Street, Ivoryton, CT

 

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Now on stage….
Biloxi Blues
By Neil Simon
At the Ivoryton Playhouse

Ivoryton – The Ivoryton Playhouse is leaving behind the music of Ol’ Blue Eyes and heading south to the steamy bayou country of Biloxi, Mississippi with the opening of Neil Simon’s BILOXI BLUES on April 26th. This semi-autobiographical play details his experiences as a young man in boot camp before he was shipped off to serve in the Second World War.

BILOXI BLUES is the second chapter in what is known as his Eugene trilogy, following Brighton Beach Memoirs and preceding Broadway Bound, and is the only one in which Eugene is not the central character. BILOXI BLUES won the Tony Award when it opened on Broadway in 1985 and ran 524 performances.

Neil Simon’s hit play follows the adventures of Eugene Morris Jerome and his fellow Army inductees as they struggle through basic training near Biloxi, Mississippi, in 1943. An aspiring writer who sees himself as an outsider observing the craziness around him, Eugene hopes to somehow remain “neutral … like Switzerland” but finds himself having to make tough choices.

BILOXI BLUES is a comedy with real depth about young men growing up, learning about life and how to live together and finally, going off to war. These men are universal soldiers – facing the same fears, anxieties, and loneliness that grip all young recruits about to encounter the ultimate test of combat. Mr. Simon brings his great sense of humor and humanity to every word of this magnificent play.

A film was also made of the play starring Matthew Broderick and directed by Mike Nichols with screenplay by Neil Simon.

BILOXI BLUES is directed by Sasha Bratt and features Zal Owen* as Eugene, Alec Silberblatt* as Arnold and Mike Mihm* as Sergeant Toomey. Cast also includes Andee Buccheri, Conor M. Hamill*, Ethan Kirschbaum, George Mayer, Moira O’Sullivan and Chandler Smith. Set design is by Glenn Bassett, lighting design by Tate R. Burmeister and costume design by Lisa Bebey.

BILOXI BLUES opens at the Ivoryton Playhouse on April 26th and runs through May 14th  2017.  Performance times are Wednesday and Sunday matinees at 2pm. Evening performances are Wednesday and Thursday at 7:30pm, Friday and Saturday at 8pm.

Tickets are $50 for adults; $45 for seniors; $22 for students and $17 for children and are available by calling the Playhouse box office at 860-767-7318 or by visiting our website at www.ivorytonplayhouse.org  (Group rates are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.

Photo by Ivoryton Playhouse

*denotes member of Actors Equity
Members of the press are welcome after April 27th.  Please call ahead for tickets.

Call our box office at 860.767.7318 to purchase individual tickets or follow this link to purchase online.

 

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“Her Song”

WWW.STANDUPANDSPEAKOUTMUSICAL.COM

Bullying in our schools has become a nationwide epidemic and a topic of discussion for all Boards of Education.

STAND UP AND SPEAK OUT  is addressing this frightening issue with a new PSA musical,  “HER SONG”.   The musical will highlight the severity of bullying while it educates and entertains our audience.  A primary goal is to educate adults on what to look for: Is your child being bullied? Could your child be the bully? What do I do?  Who do I go to?

The group has been rehearsing once a week since Jan 22.  At the first rehearsal (with a cast of 30) Colin Sheehan asked “How many of you have been bullied”?  28 raised their hands.  Two had to change schools, and one of the adults in the cast still has scars from being bullied in 6th grade and having to change schools!  One student actor shared:

“As I stepped into the audition I felt an immediate connection with all the other kids and adults around me. I felt that we were all here for the same reason- to help change lives of other people. I too was a victim of a bullying, and just to do this show is an amazing way for me to express myself and my feelings towards this epidemic. Don’t be ashamed of your story, it will inspire others. I would like to thank my family for their continuous support, Michelle Natalino, Nick Fradiani Sr., Colin Sheehan and most importantly Jill Nesi. Music is such a huge outlet for kids to express themselves and be who they are! “Stay strong, because things will get better. It may be stormy now, but won’t rain forever”

Another participant added:

“We’re all in this together, and using our pain or misunderstanding to hurt others is not the answer.  This life is more fun when we got through it side by side.  Everyone has been bullied, and at times, been the bully.  I had to leave the public school when I was in 6th grade because of bullying. Being a part of HER SONG has been very special.  Watching these young kids share their experiences and create a space for everyone to exist in freely is wonderful.  Bullying is scarier than ever, especially in this social media age. People don’t need to hurt the way they do and I want to be a part of the solution, or at least the conversation.”

PRODUCER: JILL NESI – 4 time Emmy Nominated Songwriter

DIRECTOR: COLIN SHEEHAN – Events, Benefits, & Theatre Producer/Director
Les Miserables, “The Wendy Williams Show”, “The Rosie O’Donnell Show”, R Family Vacations & Seaview Productions

MUSIC COMPOSED BY: JILL NESI & NICK FRADIANI SR.

CHOREOGRAPHER: MICHELLE  NATALINO

School performances:

Thursday May 11th       10:00am & 12:30pm
Friday May 12th             10:00am & 12:30pm

Public performances – tickets $15 all ages:

Saturday May 13th         11:00am & 2:00pm
Sunday  May 14th           7:00pm

For more information about these shows at the Ivoryton Playhouse, follow this link.

If you would like to know more information or become involved in Stand Up and Speak Out please email jillnesi@aol.com

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Interesting article in the Washington Post with a mention of one of our Playhouse family members – David Pittsinger.

https://www.washingtonpost.com/news/style/wp/2017/04/19/american-opera-star-takes-on-americas-answer-to-opera/?utm_term=.9978ed78a091

 

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24 foot trees, over 40 orbs, CT’s largest living Christmas tree, over 350,000 lights dancing to music!

Looking for a different way to celebrate Christmas?  Ivoryton lights up the holiday with over 350,000 lights throughout the village!

The Illuminations will shine brightly through January 5th and visitors can tune their car radios to 101.5FM and watch as the lights dance to the music!

This event is supported entirely by volunteers and sponsors including Essex Lions, Essex Savings Bank, Valley Courier, Riggio & Sons General Contractors, Wilcox Tree Service and Westbrook Elks.

ariel-shot-of-village-2016

 

 

 

 

 

 

 

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Women Playwright’s Initiative at the Ivoryton Playhouse 

Ivoryton, CT:  In February 2016, Laura Copland, Director of Play Development, and Jacqui Hubbard, Executive/Artistic Director of The Ivoryton Playhouse, began talks about creating a safe environment for women playwrights to workshop their plays with professional actors and directors. The Ivoryton Playhouse is excited to announce the 2017 inaugural festival of the Women Playwright’s Initiative. The workshopping festival runs from February 26 to March 4, 2017. Staged readings of the winning scripts will take place on Friday, March 3 and Saturday, March 4, 2017 at The Ivoryton Playhouse, 103 Main Street, Ivoryton, CT, followed by discussions with playwrights, actors and directors.

A call for one act plays went out on the League of Professional Theatre Women’s website and was picked up across the country. By the submission deadline of September 15, the Initiative received 183 scripts. The scripts hailed from all over the United States and Canada, even Israel.

For Ms. Copland, who read all of the plays, this experience has been humbling and inspiring. “All these women!  All these women expressing in dialogue and conflict, their passion, intelligence, yearning, anger, hurt, love, and humor. Women are a force! It has been my honor to read their work.”

The time constraints of one week rehearsal and two nights of staged readings permitted no more than two hour-long plays, and two shorter plays. After wrenching deliberation, thirteen plays were under consideration. Many fascinating plays with potential had to be eliminated. The small committee included Ms. Copland, Ms. Hubbard, Susan McCann, Box Office Manager at The Ivoryton Playhouse, Margaret McGlone Jennings, director, teacher and actor and Brooks Appelbaum, director and theatre critic.

Four terrific plays were selected. The committee is proud of the choices and looks forward to working with the playwrights, cast, and directors in what we hope will be a smashingly successful inaugural season of the Ivoryton Playhouse’s Women Playwright’s Initiative.

The Playhouse is now seeking submissions from local directors. The deadline for resume submissions is November 30, 2016. Please submit to Laura Copland at laurac@ivorytonplayhouse.org. (Calls for local actors will be in January, 2017.)

For more information about the Women’s Playwright Initiative, please contact Jacqueline Hubbard, Executive Director, The Ivoryton Playhouse, 860-767-9520 x 202 or email jhubbard@ivorytonplayhouse.org

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icrv_preferred_rgb_150iCRaVe Music Fest is on…at the Ivoryton Playhouse!!!

iCRV Radio is thrilled to present the iCRaVe Music Fest on November 25 and 26 on the incredible stage of the Ivoryton Playhouse.  Be part of this community celebration as five bands grace this hallowed stage each of two nights.  Open seating, bistro tables, a dance area, some vendors, and a cash bar. Advance tickets for each night only $22.00 and you get a re-entry bracelet that you can show to participating area merchants for special deals.  Doors open at 6p…Music starts at 630p.

Be part of it all…each night with a different musical vibe:

icrvbands

 

Friday, November 25:  Roots and Americana…with Rivers….the CarLeans….Ron Anthony and Denny Collin…then Ramblin’ Dan Stevens and the Fiery Band…all capped off with Plywood Cowboy. Get tickets here….

 

 

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Saturday, November 26: Rock and Jazz and Funk….with DizzyFish…Andrew Biagiarelli…The Grays…Cosmos Sunshine and the Butterfly Effect…and the great Michael Cleary Band capping it off… Tickets available…here…

 

Proceeds will benefit Team Avery

Avery Rose was a mere two years old hen she was diagnosed with a rare mutation of CDKL5. CDKL5 mirrors Rhett’s syndrome and there is currently no cure… It causes a punishing array of challenges… seizures everyday…difficulty doing the easiest of activities.

Only about 150 girls in the world have this rare disease.

Now eight years old, Avery, thanks to the caring family and friends…and community supporters along the Shoreline…and the great help from the Community Foundation of Middlesex County…is able to get to doctors and community activities with her new van…but she needs a proper lift so that her wheelchair can get in and out safely.

Proceeds of the Second Annual iCRaVe Music Fest will go to help Team Avery get that wheelchair lift for her van.  If you want more information…stop by Bill’s Seafood in Westbrook and ask for Mark…he will be happy to tell you more on the struggle and the great sense of community support he feels everyday. Go Team Avery!!!

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YOUR CHANCE TO BE A STAR ON STAGE AT THE IVORYTON PLAYHOUSE!

 

And a perfect gift, too!
Have you ever wanted to be on stage at the Ivoryton Playhouse?  Do you know someone who has always harbored dreams of being in the spotlight?  Well, now is the chance to make dreams come true!
We are auctioning off a walk on part in our holiday production of The Bells of Dublin Part III:  A New York Fairytale.
The performance dates available are:

Thursday         December 8                 7:30pm
Friday              December 9                 7:30pm
Saturday          December 10               2:00pm
Sunday            December 11               2:00pm
Wednesday      December 14               2:00pm
Wednesday      December 14               7:30pm
Saturday          December 17               2:00pm
Saturday          December 17               7:30pm


 For a $100 donation, you will get:  
        **  The chance to be in the show with a walk on part and spoken lines
**  Your name will be printed in Playbill (if desired)
             ** 2 x seats for the night of your show


Join stars like Katharine Hepburn, Marlon Brando and Alan Alda and become a part of the amazing history of the Ivoryton Playhouse!

It’s not a big commitment – just one meeting and one rehearsal.

This is a limited opportunity – first come, first served. 
Please call Krista May at (860) 767 9520 x 205 if you would like to buy a walk on part in our December production or email krista@ivorytonplayhouse.org with your preferred date.

It’s your chance to be a star……..will you take it????

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The Ivoryton Players are presenting a fully staged reading at the Deep River Town Hall Theater.  The play is See How They Run by Philip King.  Directed by Joyce Beauvais.  The dates and times are: Friday, November 19, 2016 at 7PM and Saturday, November 20, 2016 at 2PM.  Parking at Walgreens, Bank, School and Adams.

See How They Run is a zany, hilarious farce set in a British country vicarage just post WW II.  The hilarity begins when an American Soldier dons a Vicar suit to see “Private Lives” outside of his jurisdiction.  Soon we have many vicars, a Russian Spy, Bobbys, a squiffy church lady and more!  Philip King wrote his play as an homage to Noel Coward.  It is crazy funny!!

seehowtheyrun-web-email

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